This may be Cineform, DNxHD whatever.but you will quickly find what works (regarding file size limits for upload). Find the best balance of file size vs quality for uploading or sharing. Avi as a master format as aaronchicago mentioned, this is how I used to do it- then spit out any compressed flavour of file from that file using AME. But since you are on PC - you could export uncompressed.

If you have the storage space, you could use whatever format you want to master in. In a nutshell Prores and DNxHD are most common formats for TV broadcast 'masters' (at least for here in the UK) - often they also require a compressed SD MPEG version for compliance. Think you may be confusing Cineform with Cineon format?Ĭineform is now owned by GoPro (make of that what you will) Something about it being close to how they scan film ? Not sure but I hear its really really good ! Will report back with results

I once heard on the net that cineform is about to be the new standard for mastering footage. I'll try out the cineform, I really REALLY appreciate the tip. See if it is supported.Ĭheck to see which one is best for you after uploading, and if 2 is worth the extra time. Export to uncompress AVI and then use a trancoding tool for prores.Ĥ. What I would do is use the smallest sequence that vimeo allows and use different codecs:ġ. mov wrapper through premiere that I believe is supported with Vimeo.Ĭineform is also as good as prores and there has been some talk of vimeo trying to support it. There are some reports that it can work but not that great.

Avid codecs for adobe premiere cc